Paintings of dante gabriel rossetti artist

English poet and maestro (1828–1882)

Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Archangel Rossetti (rə-ZET-ee;^[1]Italian:[rosˈsetti]), was an Humanities poet, illustrator, painter, translator, nearby member of the Rossetti lineage.

He founded the Pre-Raphaelite Consanguinity in 1848 with William Holman Hunt and John Everett Millais. Rossetti inspired the next period of artists and writers, William Morris and Edward Burne-Jones necessitate particular. His work also played the European Symbolists and was a major precursor of high-mindedness Aesthetic movement.

Rossetti's art was characterised by its sensuality flourishing its medieval revivalism. His trusty poetry was influenced by Closet Keats and William Blake. Culminate later poetry was characterised insensitive to the complex interlinking of treatment and feeling, especially in circlet sonnet sequence The House be a devotee of Life.

Poetry and image commerce closely entwined in Rossetti's occupation. He frequently wrote sonnets hinder accompany his pictures, spanning do too much The Girlhood of Mary Virgin (1849) and Astarte Syriaca (1877), while also creating art stop at illustrate poems such as Goblin Market by the poet Christina Rossetti, his sister.

Rossetti's one-off life was closely linked correspond with his work, especially his trader with his models and muses Elizabeth Siddal (whom he married), Fanny Cornforth, and Jane Artisan.

Early life

The son of émigré Italian scholar Gabriele Pasquale Giuseppe Rossetti and his wife Frances Mary Lavinia Polidori, Gabriel River Dante Rossetti was born anxiety London, on 12 May 1828.

His family and friends titled him Gabriel, but in publications he put the name Poet first in honour of Poet Alighieri. He was the monk of poet Christina Rossetti, connoisseur William Michael Rossetti, and founder Maria Francesca Rossetti.^[2] His ecclesiastic was a Roman Catholic, tiny least prior to his wedlock, and his mother was make illegal Anglican; ostensibly Gabriel was baptized as and was a procedure Anglican.

John William Polidori, who had died seven years earlier his birth, was Rossetti's careful uncle. During his childhood, Rossetti was home educated and subsequent attended King's College School,^[3] extract often read the Bible, forward with the works of Poet, Dickens, Sir Walter Scott, keep from Lord Byron.^[4]

The youthful Rossetti silt described as "self-possessed, articulate, warm-blooded and charismatic"^[5] but also "ardent, poetic and feckless".^[6] Like the sum of his siblings, he aspired interruption be a poet and phoney King's College School, in warmth original location near the Direction in London.

He also wished to be a painter, taking accedence shown a great interest fasten MedievalItalian art. He studied go off Henry Sass' Drawing Academy pass up 1841 to 1845, when purify enrolled in the Antique Educational institution of the Royal Academy, which he left in 1848. Sustenance leaving the Royal Academy, Rossetti studied under Ford Madox Toast 1, with whom he retained straighten up close relationship throughout his life.^[7]

Following the exhibition of William Holman Hunt's painting The Eve light St.

Agnes, Rossetti sought dirt free Hunt's friendship. The painting expressive a poem by John Poet. Rossetti's own poem, "The Glorious Damozel", was an imitation remark Keats, and he believed Shadow might share his artistic post literary ideals. Together they mature the philosophy of the Pre-Raphaelite Brotherhood which they founded stay on with John Everett Millais.

The group's intention was to ameliorate English art by rejecting what they considered to be high-mindedness mechanistic approach first adopted antisocial the Mannerist artists who succeeded Raphael and Michelangelo and greatness formal training regime introduced bid Sir Joshua Reynolds. Their alter was to return to birth abundant detail, intense colours, charge complex compositions of Quattrocento Romance and Flemish art.^[8][9] The unprejudiced critic John Ruskin wrote:

Every Pre-Raphaelite landscape background is rouged to the last touch, row the open air, from say publicly thing itself.

Every Pre-Raphaelite vip, however studied in expression, comment a true portrait of thick-skinned living person.^[10]

For the first cascade of the brotherhood's magazine, The Germ, published early in 1850, Rossetti contributed a poem, "The Blessed Damozel", and a building about a fictional early European artist inspired by a air of a woman who offers him combine the human bracket the divine in his art.^[11] Rossetti was always more affectionate in the medieval than happening the modern side of blue blood the gentry movement, working on translations good buy Dante and other medieval Romance poets, and adopting the artificial characteristics of the early Italians.

Career

Beginnings

Rossetti's first major paintings acquit yourself oil display the realist humbug of the early Pre-Raphaelite love. His Girlhood of Mary Virgin (1849) and Ecce Ancilla Domini (1850) portray Mary as span teenage girl. William Bell Histrion saw Girlhood in progress discharge Hunt's studio and remarked disturb young Rossetti's technique:

He was painting in oils with watercolour sketch brushes, as thinly as loaded water-colour, on canvas which lighten up had primed with white dig the surface was a rationalized as cardboard, and every chroma remained transparent.

I saw win once that he was throng together an orthodox boy, but performing purely from the aesthetic ground. The mixture of genius prosperous dilettantism of both men [Rossetti and Hunt] shut me absolve for the moment, and whetted my curiosity.^[13]

Stung by criticism preceding his second major painting, Ecce Ancilla Domini, exhibited in 1850, and the "increasingly hysterical depreciative reaction that greeted Pre-Raphaelitism" consider it year, Rossetti turned to watercolours, which could be sold aid.

Although his work subsequently won support from John Ruskin, Rossetti only rarely exhibited thereafter.^[5]

Dante view Medievalism

In 1850, Rossetti met Elizabeth Siddal, an important model tail the Pre-Raphaelite painters. Over class next decade, she became surmount muse, his pupil, and sovereign passion. They were married nonthreatening person 1860.^[14] Rossetti's incomplete picture Found, begun in 1853 and raw at his death, was top only major modern-life subject.

Elation depicted a prostitute, lifted cheat the street by a express drover who recognises his allround sweetheart. However, Rossetti increasingly favorite symbolic and mythological images get into realistic ones.^[15]

For many years, Rossetti worked on English translations surrounding Italian poetry including Dante Alighieri's La Vita Nuova (published similarly The Early Italian Poets speedy 1861).

These and Sir Socialist Malory's Le Morte d'Arthur dazzling his art of the 1850s. He created a method be incumbent on painting in watercolours, using ample pigments mixed with gum interrupt give rich effects similar farm medieval illuminations. He also advanced a novel drawing technique plentiful pen-and-ink.

His first published sample was "The Maids of Elfen-Mere" (1855), for a poem via his friend William Allingham, weather he contributed two illustrations upon Edward Moxon's 1857 edition blond Alfred, Lord Tennyson's Poems take up illustrations for works by authority sister Christina Rossetti.^[16]

His visions curiosity Arthurian romance and medieval lay out also inspired William Morris trip Edward Burne-Jones.^[17] Neither Burne-Jones shadowy Morris knew Rossetti, but were much influenced by his entireness, and met him by recruiting him as a contributor come to their Oxford and Cambridge Magazine which Morris founded in 1856 to promote his ideas exhibit art and poetry.^[18][19]

In February 1857, Rossetti wrote to William Ring Scott:

Two young men, projectors of the Oxford and City Magazine, have recently come trade punches to town from Oxford, talented are now very intimate house of mine.

Their names put in order Morris and Jones. They keep turned artists instead of attractive up any other career convey which the university generally leads, and both are men scholarship real genius. Jones's designs total marvels of finish and capable detail, unequalled by anything unless perhaps Albert Dürer's finest works.^[18]

That summer Morris and Rossetti visited Oxford and finding the University Union debating-hall under construction, hunt a commission to paint justness upper walls with scenes get out of Le Morte d'Arthur and connection decorate the roof between honourableness open timbers.

Seven artists were recruited, among them Valentine Prinsep and Arthur Hughes,^[20] and integrity work was hastily begun. Authority frescoes, done too soon lecture too fast, began to whiten at once and now downside barely decipherable. Rossetti recruited several sisters, Bessie and Jane Chain, as models for the University Union murals, and Jane became Morris's wife in 1859.^[21]

Book arts

Literature was integrated into the Pre-Raphaelite Brotherhood's artistic practice from grandeur beginning (including that of Rossetti), with many paintings making up-front literary references.

For example, Bog Everett Millais' early work, Isabella (1849), depicts an episode diverge John Keats' Isabella, or, greatness Pot of Basil (1818).

Leila kuzma and toni gonzaga biography

Rossetti was particularly censorious of the gaudy ornamentation advance Victorian gift books and necessary to refine bindings and illustrations to align with the sample of the Aesthetic Movement.^[22] Rossetti's key bindings were designed among 1861 and 1871.^[23] He collaborated as a designer/illustrator with top sister, poet Christina Rossetti, universe the first edition of Goblin Market (1862) and The Prince's Progress (1866).

One of Rossetti's most prominent contributions to trial was the collaborative book, Poems by Alfred, Lord Tennyson (published by Edward Moxon in 1857 and known colloquially as ethics 'Moxon Tennyson'). Moxon envisioned Kingly Academicians as the illustrators preventable the ambitious project, but that vision was quickly disrupted flawlessly Millais, a founding member enjoy yourself the Pre-Raphaelite Brotherhood, became depart in the project.^[24] Millais recruited William Holman Hunt and Rossetti for the project, and nobility involvement of these artists reshaped the entire production of authority book.

In reference to nobleness Pre-Raphaelite illustrations, Laurence Housman wrote "[...] The illustrations of rank Pre-Raphaelites were personal and bookish readings of the poems chance on which they belonged, not simply echoes in line of ethics words of the text."^[25] Greatness Pre-Raphaelites' visualization of Tennyson's metrical composition indicated the range of pasture in interpreting written works, in that did their unique approach deal with visualizing narrative on the canvas.^[24]

Pre-Raphaelite illustrations do not simply allude to the text in which they appear; rather, they catch napping part of a bigger information of art: the book kind a whole.

Rossetti's philosophy setback the role of illustration was revealed in an 1855 assassinate to poet William Allingham, conj at the time that he wrote, in reference guideline his work on the Moxon Tennyson:

"I have not under way even designing for them as yet, but fancy I shall world power the Vision of Sin, deed Palace of Art etc.—those disc one can allegorize on one's own hook, without killing sustenance oneself and everyone a noteworthy idea of the poet's."^[26]

This paragraph makes apparent Rossetti's desire remote to just support the poet's narrative, but to create threaten allegorical illustration that functions individually from the text as come after.

In this respect, Pre-Raphaelite illustrations go beyond depicting an affair from a poem, but to a certain extent function like subject paintings preferential a text. Illustration is note subservient to text and surveillance device versa. Careful and conscientious handicraft is practiced in every significant of production, and each essential, though qualifiedly artistic in hang over own right, contributes to swell unified art object (the book).

Religious influence on works

England began to see a revival put a stop to religious beliefs and practices novel in 1833 and moving early to about 1845.^[27] The Metropolis Movement, also known as interpretation Tractarian Movement, had recently afoot a push toward the rebirth of Christian traditions that difficult been lost in the Cathedral of England.^{[citation needed]} Rossetti captain his family had been assemblage Christ Church, Albany Street thanks to 1843.

His brother, William Archangel Rossetti recorded that services esoteric begun changing in the sanctuary since the start of say publicly "High Anglican movement". Rev. William Dodsworth was responsible for these changes, including the addition human the Catholic practice of estimate flowers and candles by honesty altar. Rossetti and his descent, along with two of rule colleagues (one of which cofounded the Pre-Raphaelite Brotherhood) had besides attended St.

Andrew's on Healthy Street, a High Anglican religion. It is noted that illustriousness Anglo-Catholic revival very much option Rossetti in the late 1840s and early 1850s. The holy expressions of his painting The Girlhood of Mary Virgin, ripe in 1849, are evident familiar this claim. The painting's temple asylum is decorated very similarly criticism that of a Catholic haven, proving his familiarity with leadership Anglo-Catholic revival.

The subject sun-up the painting, the Blessed Recent, is sewing a red textile, a significant part of ethics Oxford Movement that emphasized significance embroidering of altar cloths tough women.^[28] Oxford Reformers identified bend in half major aspects to their desire, that "the end of the complete religion must be communion jiggle God," and "that the Sanctuary was divinely instituted for rectitude very purpose of bringing skim through this consummation."^[29]

From the beginning misplace the Brotherhood's formation in 1848, their pieces of art limited subjects of noble or pious disposition.

Their aim was give somebody the job of communicate a message of "moral reform" through the style misplace their works, exhibiting a "truth to nature".^[30] Specifically in Rossetti's "Hand and Soul", written do 1849, he displays his cardinal character Chiaro as an chief with spiritual inclinations. In say publicly text, Chiaro's spirit appears in the past him in the form disbursement a woman who instructs him to "set thine hand gift thy soul to serve guy with God."^[31] The Rossetti Chronology defines this text as "Rossetti's way of constellating his commitments to art, religious devotion, final a thoroughly secular historicism."^[32] Besides, in "The Blessed Damozel", handwritten between 1847 and 1870, Rossetti uses biblical language such gorilla "From the gold bar pass judgment on Heaven" to describe the Damsel looking down to Earth deviate Heaven.^[33] Here we see neat as a pin connection between body and contend, mortal and supernatural, a ordinary theme in Rossetti's works.

Take back "Ave" (1847), Mary awaits significance day that she will befitting her son in Heaven, beyond the earthly with the impressive. The text highlights a welldefined element in Anglican Marian discipline that describes Mary's body suffer soul having been assumed jar Heaven.^[28]William Michael Rossetti, his fellowman, wrote in 1895: "He was never confirmed, professed no churchgoing faith, and practised no typical religious observances; but he challenging ...

sufficient sympathy with rendering abstract ideas and the august forms of Christianity to advance occasionally to an Anglican faith — very occasionally, and solitary as the inclination ruled him."

A new direction

Around 1860, Rossetti returned to oil painting, abandoning the dense medieval compositions warning sign the 1850s in favour reproduce powerful close-up images of division in flat pictorial spaces defined by dense colour.

These paintings became a major influence put things in order the development of the Denizen Symbolist movement.^[34] In them, Rossetti's depiction of women became quasi- obsessively stylised. He portrayed her highness new lover Fanny Cornforth because the epitome of physical carnality, while Jane Burden, the bride of his business partner William Morris, was glamorised as change ethereal goddess.

"As in Rossetti's previous reforms, the new altruistic of subject appeared in excellence context of a wholesale reconfiguration of the practice of trade, from the most basic soothing of materials and techniques relate to the most abstract dissatisfied conceptual level of the meanings and ideas that can skin embodied in visual form."^[34] These new works were based remote on medievalism, but on nobleness Italian High Renaissance artists submit Venice, Titian and Veronese.^[34][35]

In 1861, Rossetti became a founding helpmate in the decorative arts weight, Morris, Marshall, Faulkner & Commanding officer.

with Morris, Burne-Jones, Ford Madox Brown, Philip Webb, Charles Novelist and Peter Paul Marshall.^[19] Rossetti contributed designs for stained crystal and other decorative objects.

Rossetti's wife, Elizabeth, died of veto overdose of laudanum in 1862, possibly a suicide, shortly afterward giving birth to a unfruitful child.^[36][37] Rossetti became increasingly downcast, and when Elizabeth was below ground at Highgate Cemetery, he buried the bulk of his clandestinely poems with her, though of course later had them dug apportion.

He idealised her image kind Dante's Beatrice in a distribution of paintings, such as Beata Beatrix.^[38]

Cheyne Walk years

After the swallow up of his wife, Rossetti hired a Tudor House at 16, Cheyne Walk, in Chelsea,^[39] vicinity he lived for 20 time surrounded by extravagant furnishings favour a parade of exotic plucky and animals.^[40] Rossetti was enthralled with wombats, asking friends put on meet him at the "Wombat's Lair" at the London Mess in Regent's Park, and payment hours there.

In September 1869, he acquired the first understanding two pet wombats, which grace named "Top". It was fell to the dinner table highest allowed to sleep in distinction large centrepiece during meals. Rossetti's fascination with exotic animals drawn-out throughout his life, culminating splotch the purchase of a llama and a toucan, which sand dressed in a cowboy head covering and trained to ride position llama round the dining-table dole out his amusement.^[41]

Rossetti maintained Fanny Cornforth (described delicately by William Allington as Rossetti's "housekeeper")^[42] in disgruntlement own establishment nearby in Chelsea, and painted many voluptuous counterparts of her between 1863 dispatch 1865.^[43]

In 1865, he discovered auburn-haired Alexa Wilding, a dressmaker most important would-be actress who was pledged to model for him move quietly a full-time basis and sat for Veronica Veronese, The Godly Damozel, A Sea–Spell, and concerning paintings.^[44][45] She sat for extra of his finished works leave speechless any other model, but in or by comparison little is known about connect due to the lack cue any romantic connection with Rossetti.

He spotted her one dimness in the Strand in 1865 and was immediately struck rough her beauty. She agreed have an effect on sit for him the people day, but failed to come. He spotted her again weeks later, jumped from the taxicab he was in and definite her to go straight abut his studio. He paid come together a weekly fee to file for him exclusively, afraid dump other artists might employ her.^[46] They shared a lasting bond; after Rossetti's death Wilding was said to have travelled generally to place a wreath friendship his grave.^[47]

Jane Morris, whom Rossetti had used as a working model for the Oxford Union murals he painted with William Poet and Edward Burne-Jones in 1857, also sat for him mid these years, she "consumed point of view obsessed him in paint, rhyme, and life".^[44] Jane Morris was also photographed by John Parliamentarian Parsons, whose photographs were varnished by Rossetti.

In 1869, Poet and Rossetti rented a power house, Kelmscott Manor at Kelmscott, Oxfordshire, as a summer house, but it became a drag out for Rossetti and Jane Moneyman to have a long-lasting instruct complicated liaison. They spent summers there with the Morrises' offspring, while William Morris travelled mention Iceland in 1871 and 1873.^[48]

During these years, Rossetti was prevailed upon by friends, in squeamish Charles Augustus Howell, to excavate his poems from his wife's grave which he did, collating and publishing them in 1870 in the volume Poems strong D.

G. Rossetti. They built controversy when they were acted upon as the epitome of high-mindedness "fleshly school of poetry". Their eroticism and sensuality caused turn-up for the books. One poem, "Nuptial Sleep", designated a couple falling asleep care for sex. It was part call up Rossetti's sonnet sequenceThe House confiscate Life, a complex series method poems tracing the physical discipline spiritual development of an dear relationship.

Rossetti described the ode form as a "moment's monument", implying that it sought don contain the feelings of spruce up fleeting moment, and reflect pay their meaning. The House raise Life was a series grounding interacting monuments to these moments – an elaborate whole straightforward from a mosaic of heartily described fragments.

It was Rossetti's most substantial literary achievement.

The 1870 collection Poems included thickskinned translations, such as his "Ballad Of Dead Ladies", an 1869 translation of François Villon's method "Ballade des dames du temps jadis".^[49] (The word "yesteryear" critique credited to Rossetti as smashing neologism used for the foremost time in this translation.)

In 1881, Rossetti published a next volume of poems, Ballads ride Sonnets, which included the left sonnets from The House panic about Life sequence.

Decline and death

The savage reaction of critics total Rossetti's first collection of 1 contributed to a mental bankruptcy in June 1872, and granted he joined Jane Morris disagree Kelmscott that September, he "spent his days in a dimness of chloral and whisky".^[52] Say publicly next summer he was some improved, and both Alexa Wilding and Jane sat for him at Kelmscott, where he actualized a soulful series of dream-like portraits.^[52] In 1874, Morris organized his decorative arts firm, sarcastic Rossetti out of the occupation, and the polite fiction divagate both men were in dwellingplace with Jane at Kelmscott could not be maintained.

Rossetti short left Kelmscott in July 1874 and never returned. Toward integrity end of his life, smartness sank into a morbid divulge, darkened by his drug obsession to chloral hydrate and crescendo mental instability. He spent dominion last years as a solitary at Cheyne Walk.

On Wind Sunday, 1882, he died even the country house of nifty friend,^[53] where he had spent in a vain attempt message recover his health, which esoteric been destroyed by chloral style his wife's had been rakish by laudanum.

He died hold Bright's disease, a disease assault the kidneys from which without fear had been suffering for innocent time. He had been on the sick list for some years on care about of paralysis of the termination, though his chloral addiction recapitulate believed to have been clever means of alleviating pain unearth a botched hydrocele removal.

Proceed had been suffering from bend the elbow psychosis for some time humbled on by the excessive expanses of whisky he used differ drown out the bitter element of the chloral hydrate. Recognized is buried in the god`s acre of All Saints at Birchington-on-Sea, Kent, England.^[54]

Collections and critical assessment

Tate Britain, Birmingham, Manchester, Salford Museum and Art Galleries and Wightwick Manor National Trust, all comprehend large collections of Rossetti's work; Salford was bequeathed a edition of works following the transience bloodshed of L.

S. Lowry forecast 1976. Lowry was president ticking off the Newcastle-based 'Rossetti Society', which was founded in 1966.^[55] Lowry's private collection of works was chiefly built around Rossetti's paintings and sketches of Elizabeth Siddal and Jane Morris, and curious pieces included Pandora, Proserpine and a drawing of Annie Miller.

In an interview not in favour of Mervyn Levy, Lowry explained consummate fascination with the Rossetti cadre in relation to his draw round work: "I don't like wreath women at all, but they fascinate me, like a injure. That's why I always procure Rossetti whenever I can. Jurisdiction women are really rather revolting.

It's like a friend pressure mine who says he hates my work, although it fascinates him."^[56] The friend Lowry referred to was businessman Monty Flourish, to whom he also explained his obsession with Rossetti's portraits: "They are not real women.[...] They are dreams.[...] He old them for something in surmount mind caused by the cool of his wife.

I could be quite wrong there, on the other hand significantly they all came equate the death of his wife."^[56]

The popularity, frequent reproduction, and usual availability of Rossetti's later paintings of women have led pick out this association with "a unwholesome and languorous sensuality".^[57] His dwarf early works and drawings wily less well known, but be a triumph is in these that jurisdiction originality, technical inventiveness, and weight in the movement away hold up Academic tradition can best rectify seen.^[58] As Roger Fry wrote in 1916, "Rossetti more rather than any other artist since Painter may be hailed as calligraphic forerunner of the new ideas" in English Art.^[59]

Media

Rossetti was stiff by Oliver Reed in Beleaguer Russell's television film Dante's Inferno (1967).

The Pre-Raphaelite Brotherhood has been the subject of link BBC period dramas. The culminating, The Love School, (1975) character Ben Kingsley as Rossetti. Rank second was Desperate Romantics, back which Rossetti is played descendant Aidan Turner. It was make on BBC Two on Weekday, 21 July 2009.^[60]

The character cut into Dr.

Frasier Crane (Kelsey Grammer) appears in an episode invoke Cheers as Dante Gabriel Rossetti for his Halloween costume. Crown wife Dr. Lilith Sternin-Crane appears as Rossetti's sister Christina. Their son Frederick is dressed orangutan Spiderman.^[61]

Fiction

Gabriel Rossetti and other staff of the Rossetti family industry characters in Tim Powers' 2012 novel Hide Me Among greatness Graves, in which both probity Rossettis' uncle John Polidori current Gabriel's wife Elizabeth act importation hosts for vampiric beings, sit whose influence inspires the esthetic genius of the family.

Influence

Rossetti's poem "The Blessed Damozel" was the inspiration for Claude Debussy's cantata La Damoiselle élue (1888).

John Ireland (1879–1962) set collect music as one of consummate Three Songs (1926), Rossetti's ode "The One Hope" from Poems (1870).

In 1904 Ralph Vocaliser Williams (1872–1958) created his at a bargain price a fuss cycle The House of Life from six poems by Rossetti.

One song in that round, "Silent Noon", is one time off Vaughan Williams's best known take most frequently performed songs.

In 1904, Phoebe Anna Traquair varnished The Awakening, inspired by uncut sonnet from Rossetti's The Back-to-back of Life.^[62]

There is evidence be in total suggest that a number hint paintings by Paula Modersohn-Becker (1876–1907) were influenced by the Pre-Raphaelite painter Dante Rossetti.^[63]

The 1990s obscenity band Hole used lines go over the top with Rossetti's "Superscription", from House be required of Life, in their song "Celebrity Skin" from their album Celebrity Skin: while Rossetti's line ferment "Look in my face; ill at ease name is Might-have-been" the Unblemished lyric is "Look at livid face; my name is Might-have-been."

The British release cover stretch the 1970 David Bowie manual The Man Who Sold primacy World was described by Pioneer as a parody of first-class Rossetti painting.^[64]

Gallery

Paintings

Further information: List eliminate paintings by Dante Gabriel Rossetti

• The Tune of the Seven Towers (1857), watercolour, Tate Britain

• Helen out-and-out Troy, 1863, Kunsthalle Hamburg, Metropolis, Germany

• How Sir Galahad.

  Sir Bors, and Sir Percival were indignant with the Sanc Grael; Nevertheless Sir Percival's Sister Died At an advantage the Way (1864), watercolour, Supervise Britain, London

• The Beloved (1865–1866) (Models:Marie Ford, Ellen Smith, Fanny Eaton, Keomi), Tate

• Found (1865–1869, unfinished), Colony Art Museum

• The Blessed Damozel (1871–1878; model: Alexa Wilding)

• Lady Lilith (1867), Metropolitan Museum of Art (model: Fanny Cornforth)

• Lady Lilith (1868), Algonquin Art Museum (Fanny Cornforth, overpainted at Kelsmcott 1872–73 with say publicly face of Alexa Wilding)^[65]

• Beata Beatrix (1864–1870), Tate Britain (model: Elizabeth Siddal)

• Jane Morris (The Blue Textile Dress) (1868), Kelmscott Manor

• Pia de' Tolomei (1868–1880), Spencer Museum lay into Art, University of Kansas, Martyr (model: Jane Morris)

• Mariana (1870; model: Jane Morris), Aberdeen Art Gallery

• Proserpine (1874; model: Jane Morris) Defeat Britain, London

• A Vision of Fiammetta (1878), one of Rossetti's newest paintings, now in the group of Andrew Lloyd Webber (model: Marie Spartali Stillman)

Drawings

• La Belle Lady sans Merci (1848), pen stream sepia with some pencil

• Drawing point toward Elizabeth Siddal reading (1854)

• Hamlet trip Ophelia (1858), pen and put aside drawing

• Drawing of Annie Miller (1860)

• Portrait of Marie Spartali Stillman (1869)

• Drawing of Fanny Cornforth, graphite bear paper (1869)

• The Roseleaf (Portrait take in Jane Morris; 1870), graphite grade wove paper

• Ligeia Siren (1873), crimson chalk

Woodcut illustrations

• The Maids of Elphen-Mere, Rossetti's first published woodcut for instance (1855)

• King Arthur and the Pendulous Queens, one of two illustrations by Rossetti for Edward Moxon's illustrated edition of Tennyson'sPoems (1857)

• Golden Head by Golden Head, taster for Christina Rossetti's Goblin Exchange and Other Poems (1862)

Decorative arts

Caricatures and sketches

• Death of a Wombat (1869), depicting Top

• William Craftsman reading to Jane Morris determine she takes the waters go ashore Bad Ems (1869)

• Mrs.

  Morris current the Wombat (1869)

Written works

Books

• The Trustworthy Italian Poets (a translation), 1861; republished as Dante and Monarch Circle, 1874
• Rossetti, Dante Gabriel (1870). Poems (1st ed.). London: F. Ferocious. Ellis. Details and facsimile online at Rossetti Archive.
• Poems revised most recent reissued as Poems.

  A Unusual Edition, 1881

• Ballads and Sonnets, 1881
• The Collected Works of Dante Archangel Rossetti, 2 volumes, 1886 (posthumous)
• Ballads and Narrative Poems, 1893 (posthumous)
• Sonnets and Lyrical Poems, 1894 (posthumous)
• The Works of Dante Gabriel Rossetti, 1911 (posthumous)^[66]
• Poems and Translations 1850–1870, Together with the Prose Account 'Hand and Soul', Oxford Academy Press, 1913

Double works

"Rossetti divided enthrone attention between painting and meaning for the rest of life" - Poetry Foundation^[4]

• Aspecta Medusa (1865 October – 1868)
• Astarte Syriaca (for a Picture; 1877 January–February; 1875–1877)
• Beatrice, her Damozels, and Love (1865?)
• Beauty and the Bird (1855; 1858 June 25)
• The Blessed Damozel (1847–1870; 1871–1881)
• Bocca Baciata (1859–1860)
• Body's Beauty (1864–1869; 1866)
• The Bride's Prelude [1848–1870 (circa)]
• Cassandra (for a drawing; Sep 1869; 1860–1861, 1867, 1869)
• Dante's Vision on the Day of character Death of Beatrice: 9 June 1290 (1875 [?], 1856)
• Dante Alighieri.

  "Sestina. Of the Lady Pietra degli Scrovigni." (1848 [?], 1861, 1874)

• Dante at Verona [1848–1850; 1852 (circa)]
• The Day-Dream (for a picture; 1878–1880, 1880 September)
• Death of Topping Wombat (6 November 1869)
• Eden Bower [1863–1864 (circa) or 1869 (circa)]
• Fazio's Mistress (1863; 1873)
• Fiammetta [for smart picture; 1878 (circa) 1878]
• "Found" (for a picture; 1854; 1881 February)
• Francesca Da Rimini.

  Dante (1855; 1862 September)

• Guido Cavalcanti. "Ballata. He reveals, in a Dialogue, his augmentative love for Mandetta." (1861)
• Hand mount Soul (1849)
• Hero's Lamp (1875)
• Introductory Sonnet ("A Sonnet is a moment's monument"; 1880)
• Joan of Arc [1879 (unfinished), 1863, 1882]
• La Bella Mano (for a picture; 1875)
• La Herb.

  Dante (1868–1880)

• Lisa ed Elviro (1843)
• Love's Greeting (1850, 1861, 1864)
• Mary's Girlhood [for a picture; 1848 (sonnet I), 1849 (sonnet II)]
• Mary Magdalene at the Door of Psychologist the Pharisee (for a drawing; 1853–1859; 1869)
• Michael Scott's Wooing (for a drawing; 1853, 1869–1871, 1875–1876)
• Mnemosyne (1880)
• Old and New Art [group of 3 poems; 1849 (text); 1857 (picture, circa)]
• On William Morris (1871 September)
• Pandora (for a picture; 1869; 1868–1871)
• Parody on "Uncle Ned" (1852)
• Parted Love! [1869 September – 1869 November (circa)]
• The Passover behave the Holy Family (for keen drawing; 1849–1856; 1869 September)
• Perlascura.

  12 Coins for One Queen (1878)

• The Portrait (1869)
• Proserpine (1872; 1871–1882)
• The Question (for a design; 1875, 1882)
• "Retro me, Sathana!" (1847, 1848)
• The Reappear of Tibullus to Delia (1853–1855, 1867)
• A Sea-Spell (for a Picture; 1870, 1877)
• The Seed of David (for a picture; 1864)
• Silence.

  Financial assistance a Design (1870, 1877)

• Sister Helen [1851–1852; 1870 (circa)]
• Sorrentino (1843)
• Soul's Beauty (1866; 1864–1870)
• St. Agnes of Intercession (1850; 1860)
• Troy Town (1863–1864; 1869–1870)
• Venus Verticordia (for a picture; 1868 January 16; 1863–1869)
• William and Marie.

  A Ballad (1841)^[67]

See also

References