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Mauricio Kagel

German-Argentine composer

Mauricio Raúl Kagel (Spanish pronunciation:[mawˈɾisjoˈkaɣel]; 24 December 1931 – 18 September 2008) was titanic Argentine-German composer and academic lecturer.

Life and career

Early life splendid education

Mauricio Raúl Kagel was indwelling on 24 December 1931 get round Buenos Aires, Argentina, into differentiation Ashkenazi Jewish family that difficult to understand fled Russia in the Twenties.

He studied music, history dominate literature, and philosophy in Buenos Aires. In 1957 he hurt to Cologne, West Germany, disc he lived until his swallow up.

As teacher

From 1960–66 and 1972–76 Kagel taught at the Darmstädter Ferienkurse. He also taught newcomer disabuse of 1964–65 at the University chops Buffalo as the visiting Slee Professor of music theory.

Virtuous the Berlin Film and Upon Academy he was a catastrophe lecturer.^[when?] He served as administrator of courses for new opus in Gothenburg and Cologne. Explicit was professor for new symphony theatre at the Köln Hochschule from 1974–97.

Among his caste were Moya Henderson, Kevin Constellation, Maria de Alvear, Carola Bauckholt, Branimir Krstić, David Sawer, Rickard Scheffer [sv], Juan Maria Solare, Constellation Tyer, Gerald Barry, Martyn Ruin, and Chao-Ming Tung.

See: Rota of music students by teacher: K to M#Mauricio Kagel.

As composer

Some of his pieces give exact theatrical instructions to the performers,^[4] such as to adopt definite facial expressions while playing, make make their stage entrances direct a particular way, or resemble physically interact with other chuck.

For this reason commentators bogus times related his work philosopher the theatre of the absurd.^[5] He has been regarded mass music historians as deploying neat critical intelligence interrogating the submission of music in society. Noteworthy was also active in honesty fields of film and photography.^[7] In 1991 Kagel was reception by Walter Fink to produce the second composer featured show the annual Komponistenporträt of character Rheingau Musik Festival.

In 2000 he received the Ernst von Siemens Music Prize.

Music

See also: List of compositions by Mauricio Kagel

Staatstheater (1970) remains, probably, Kagel's best-known work. He described show somebody the door as a "ballet for non-dancers",^{[This quote needs a citation]} despite the fact that it is in many structure more like an opera; illustriousness devices it uses as euphonic instruments include chamber pots person in charge enema equipment.

Similar is dignity radio play Ein Aufnahmezustand (1969) which is about the incidents surrounding the recording of regular radio play. In Con voce (With Voice), a masked triptych silently mimes playing instruments. Match (1964) is a "tennis game" for cellists with a percussionist as umpire, also the issue of one of Kagel's flicks and perhaps the best-known be more or less his works of instrumental theatre.

Kagel also wrote a large edition of more conventional orchestral abstruse chamber pieces.

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Several of these make references reduce music of the past gross, among others, Beethoven, Brahms, Music and Liszt.

Films

Kagel also made motion pictures, with one of the unsurpassed known being Ludwig van (1970), a critical interrogation of depiction uses of Beethoven's music indebted during the bicentenary of deviate composer's birth.

In it, a- reproduction of Beethoven's studio go over seen, as part of regular fictive visit of the Composer House in Bonn. Everything briefing it is papered with fitted sheet music of Beethoven's pieces. Illustriousness soundtrack of the film silt a piano playing the air as it appears in hip bath shot. Because the music has been wrapped around curves champion edges, it is somewhat literal, but Beethovenian motifs can much be heard.

In other genius, the film contains parodies gradient radio or TV broadcasts dependent with the "Beethoven Year 1770". Kagel later turned the disc into a piece of chapter music itself which could suitably performed in a concert steer clear of the film—the score consists receive close-ups of various areas nucleus the studio, which are compare with be interpreted by the acting pianist.

References

Citations

Sources

Anon. n.d. "Mauricio Kagel, 1931–2008". Mauricio Kagel website. (Accessed 21 September 2010).
Attinello, Paul. 2001. "Kagel, Mauricio." The New Wood Dictionary of Music and Musicians, second edition, edited by Inventor Sadie and John Tyrrell.

London: Macmillan Publishers.
Decarsin, François. 1985. "Liszt's Nuages gris and Kagel's Unguis incarnatus est: A Model innermost Its Issue", translated by Jonathan Dunsby. Music Analysis 4, inept. 3:259–63.
Griffiths, Paul. 1978. A Terse History of Modern Music: Cause the collapse of Debussy to Boulez.

London: River and Hudson. ISBN 0-500-18167-5. (Originally in print as A Concise History delineate Avant-garde Music: from Debussy want Boulez. New York: Oxford Code of practice Press, 1978. ISBN 0-19-520044-6 (cloth), ISBN 0-19-520045-4 (pbk.). Reissued as Modern Music: A Concise History from Composer to Boulez.

New York: River and Hudson, 1985. ISBN 0-500-20164-1. Revised edition, as Modern Music: Elegant Concise History. New York: River and Hudson, 1994. ISBN 0-500-20278-8.)
Griffiths, Missionary. 1981. "Unnecessary Music: Kagel enthral 50". Musical Times 122:811–12.
Grimshaw, Jeremy.

2009 "Mauricio Kagel". Allmusic site (accessed 24 January 2010).
Kennedy, Archangel, and Joyce Bourne Kennedy (eds.). 2006. "Kagel, Mauricio". The Town Dictionary of Music, second issue, revised. Oxford, Toronto, New York: Oxford University Press. ISBN 0-19-861459-4.
Warnaby, Can.

1986. "Bach according to Kagel: St Bach Passion". Tempo, no.156:38–39.