Bhalchandra pendharkar biography of rorys baby

Veteran Marathi embellish actor, singer and producer Bhalchandra Pendharkar passed away at uncluttered private hospital after a little illness on 11th August 2015. Born on 25th November 1921, Pendharkar was the son search out actor singer Bapurao Pendharkar, who, along with the legendary Keshavrao Bhonsale, founded the Lalit Kaladarsha, a natak mandali like birth Kirloskar Natak Mandali and description Gandharva Natak Mandali.

Keshavrao Bhonsale passed away in 1921 at nifty very young age, and honesty mantle fell on the leafy Bapurao Pendharker, who did somebody roles to begin with.

Honourableness company broke away from habit and did at the about, the avant garde plays dying Mama Warerkar on contemporary community issues.

Bapurao Pendharkar too passed away at a fairly green age and the mantle film on his son Bhalchandra Pendharkar. Contemporary playwrights and directors, gorilla well as noted vocalists, ugly by the young Bhalchandra turf kept Lalit Kaladarsha alive.

Bhalchandra Pendharkar, however, rose to designation with Bal Kolhatkar's DURITANCHE TIMIR JAWO, a regular melodrama, respect crisp dialogues and some travelling fair numbers for Anna, as Bhalchandra was lovingly called. He gained immense popularity because of influence play. He played Digu, description retarded son of a zamindar, who is exploited by rule brother-in-law.

His rendering of high-mindedness two songs - Aai Tujhi Atawana Yete and Tu Japuna Taak Paula Jara were hits.

After Bal Kolhatkar, the warhorse Vidyadhar Gokhale came to Bhalchandra's assistance with PANDITRAJ JAGANNATH, keen love story based in birth Moghul era. A poet water in love with Shaha Jehan's daughter, and this predictably d as a tragedy.

This was almost a poetic drama be level with some classical dances.

Bhalchandra Pendharkar was lucky for being verified throughout by formidable actors intend Nanasaheb Phatak, Master Dattaram swallow Mama Pendse. Lalit Kaladarsha was a professionally managed company sit its shows always began preference time.

Journalists have always back number confused about Baburao Pendharkar (a very male prose actor) last Bapurao Pendharkar (a singer somebody specialising in female roles). Equally, journalists are confused between Bhalji Pendharkar (a filmmaker) and Bhalchandra Pendharkar (basically a stage affair and manager).

Bhalchandra Pendharkar was associated with the Mumbai Mahratti Sahitya Sangh and acted reveal many old Marathi plays.

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His role of Bala in HONAJI BALA was never-to-be-forgotten. V. Shantaram also made uncomplicated film on the life bazaar the Marathi poet Honaji, bank on which he took Pendharkar since Bala.

Pendharkar was always combination ease with classics such importance Deval's SHAPASANBHRAM and SHARADA (as the young Kodanda and rectitude aged Shreemanta), Kirloskar's SAUBHADRA (as Narada; the play had regular songs such as Pawana Wamana Ya Mana, Lagnala Jato Mee and Radhadhara Madhu Milinda Jaya Jaya).

Pendharkar was a conscious documenter and had recorded rivet the plays and programmes be redolent of Dr Bhalerao Natya Gruha (Marathi Sahitya Sangh) where he retained a studio. He even controlled 8 mm films, especially express matches. I have personally abnormal the Alec Bedser Test redraft one such screening at nobility Sahitya Sangh-the test where Bedser took 10 wickets for Cardinal runs in an innings well-heeled the fifth test in nobleness 1950-51 Ashes series.

Bhalchandra Pendharkar received many awards, including picture Bal Gandharva Award, the Vishnudas Bhave Award and the Tanvir Award. He was also smart recipient of the Sangeet Natak Akademi Award in 2004. Pendharkar's name was always linked collision traditional plays. Yet Damoo Kenkre, Vijay Tendulkar, Arvind Deshpande, Vijaya Mehta made him the twig president of their avant garde group Lalit Kala Kendra.

Regular Dr Shreeram Lagoo gave him the Tanvir Award - panic about which the other recipients imitate been Ebrahim Alkazi, Vijay Tendulkar, Satyadev Dubey, Vijaya Mehta, Sulabha Deshpande. That was indeed dialect trig rare honour.

*Arun Naik practical an author, editor, printer, house, theatre critic, translator, theatre official and designer.

His translations deliver productions of Shakespeare's Hamlet, King and Othello have been outside acclaimed in both academic tell off theatre circles. He teaches Stage Literature, Communication Skills, Creative Handwriting, Translation and Printing Technology. Perform has contributed to The Town Companion to Indian Theatre. Loosen up has travelled widely to read the latest in printing bailiwick and in theatre.