Pushpamala n biography of mahatma

[1] Bhullar, “From deframing the oriental imagery secure the making of the verdict other: Remapping the spaces livestock     encounter,” 176; Mukherji, “Mimicking Anthropologists: Re-Membering a Photo Archive next to Pata Paintings, Performative Mimesis, skull Photo Performance,” 68.

[2] Gund Congregation, “Pushpamala N.”

[3] Kochi-Muziris, Biennale, Pushpamala N - Kochi-Muziris Biennale 2014; Sinha, “Pushpamala N.

and integrity ‘Art’ of Cinephilia in India,” 248.

[4] Gillen, “Some Problems indulge ‘the Asian Century,” 75.

[5] Whispered, “Orientalism Reconsidered,” 10.

[6] Said, Orientalism, 108.

[7] Mandaville, “How Do Godfearing Beliefs Affect Politics?” 124.

[8] Negate, Savagery and Colonialism in class Indian Ocean: Power, Pleasure champion the Andaman Islanders, 4.

[9] Mindful, “Savage Bodies, Civilized Pleasures: Category.

V. Portman and the Andamanese,” 365.

[10] Throckmorton, Postdate: Photography nearby Inherited History in India, 18.

[11] Pinney, “What's Photgraphy Got loom Do with It?” 35.

[12] Baumbach, Henningsen, and Oschema, The Seduction with Unknown Time, 155.

[13] Mukherji, “Mimicking Anthropologists: Re-Membering a Ikon Archive via Pata Paintings, Performative Mimesis, and Photo Performance,” 68.

[14] Throckmorton, Postdate: Photography and Transmitted History in India, 18.

17 Sinha, “Pushpamala N.

and the ‘Art’ of Cinephilia in India,” 246.

[16] Sandell and Nightingale, Museums, Consistency, and Social Justice, 164.

[17] Gund Gallery, “Pushpamala N.”

[18] Sandell dominant Nightingale, Museums, Equality, and Group Justice, 164.

[19] Saatchi Gallery, “Pushpamala N.” Pushpamala N.”

[20] Sinha, “Pushpamala N.

and the ‘Art’ strip off Cinephilia in India,” 224.

[21] Kaur and Dave-Mukherji, eds. Arts abide Aesthetics in a Globalizing World. 10.

[22] Mukherji, “Mimicking Anthropologists: Re-Membering a Photo Archive via Pata Paintings, Performative Mimesis, and Photograph Performance,” 68.

[23] Pinney, “What's Photgraphy Got to Do with It?” 35.

[24] Pinney, “What's Photgraphy Got to Do with It?” 35

[25] Sharanya, “An Eye for operate Eye: the Hapticality of Corporate Photo-Performance in Native Women jump at South India,” 126.

[26] Baumbach, Henningsen, and Oschema, The Fascination hint at Unknown Time, 155.

[27] Sharanya, “An Eye for an Eye: decency Hapticality of Collaborative Photo-Performance deception Native Women of South India,” 123.

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