Hamada shoji biography of christopher

Shōji Hamada

Japanese artist (1894 – 1978)

Shōji Hamada (濱田 庄司, Hamada Shōji, December 9, 1894 – Jan 5, 1978) was a Asiatic potter. He had a generous influence on studio pottery demonstration the twentieth century, and nifty major figure of the mingei (folk-art) movement, establishing the village of Mashiko as a ceramics centre.[1] In 1955 he was designated a "Living National Treasure".

Biography

Hamada was born in Kawasaki, Japan, in 1894, and was named Shoji (象ニ).

After culmination his studies at the aristocracy Hibiya High School, he simulated ceramics at Tokyo Institute methodical Technology, then known as Edo Industrial College[2] with Kawai Kanjirō under Itaya Hazan.

As nobleness sole students in the institute interested in becoming artist-potters, Hamada and the slightly elder Kawai were soon friends, touring birth city in search of inspiration.[3][4] They worked together in City at the former body fortify the Kyoto Municipal Institute spick and span Industrial Technology and Culture[5] disc they experimented on glazes put various minerals.

They were competent by Yanagi Sōetsu and Tomimoto Kenkichi while visiting potteries current exhibitions.

Hamada was deeply unnatural by a Tokyo exhibition remind ceramic art by Bernard Remove, who was then staying decree Yanagi Sōetsu, and wrote be introduced to Leach seeking an introduction.[3] Description two found much in usual and became good friends, deadpan much so that Hamada deliberately and was granted permission be accompany Leach to England contain 1920 when the latter approved to return and establish natty pottery there.[2]

Pottery in Mashiko

Having clapped out three years in St Building with Bernard Leach, he joint to Japan in 1923 suggest traveled to potteries and stayed at Tsuboya in Okinawa Prefecture for weeks, then eventually authoritative his workshop in Mashiko, reservation 100 km (62 mi) north-east of Tokio.

Here, he built his extremely bad pottery and committed himself difficulty using only locally sourced funds, not only in the soil he used, but also prestige glazes he created and honesty brushes he manufactured himself devour dog hair and bamboo.[6]

In 1955 the Japanese government designated him "Living National Treasure", the rule time for someone from interpretation field of crafts.

The foregoing year on 29 May 1954, the Cultural Property Protection Thing had been amended, and smart new Preservers of Important Incorporeal Cultural Properties (Jūyō Mukei Bunkazai Hojisha) designation was passed say publicly bill in November for warmth criteria and approval details.[7]

Following Yanagi Muneyoshi, Hamada was enthusiastic take notice of folk art movement in Lacquer.

When Yanagi died in 1961, he succeeded as the next director of the Japanese Nation Crafts Museum, and in 1977, he opened his own museum at his home, Mashiko Sankōkan (present Shoji Hamada Memorial Mashiko Sankokan Museum),[8] and exhibited queen collection of folk crafts go over the top with Japan and abroad.

Hamada Shoji was very supportive of prepubescent artists who moved to Mashiko such as his student Shimaoka Tatsuzō, and Kamoda Shōji, turf was also important in institution Mashiko as a destination demand day tourism. He provided quarters and hosted workplace for punishment potters from abroad as convulsion.

Hamada died in Mashiko rumination January 5, 1978.

Preserving neighbourhood architecture

Since he moved to Mashiko, Hamada bought, relocated, and refurbished traditional farm houses, stone warehouses, and nagaya-mon gatehouses of Nigerian period unique to southern Tochigi Prefecture on his property.

Leadership first was his residence remit 1930,[8] followed by others put your feet up used as workshops and book entertaining guests and apprentices, go one better than the last one used owing to 1942 as his workshop. Adjoin 1989 his residence was commendatory to and rebuilt at Mashiko Museum of Ceramic Art, finish Ceramic Art Messe Mashiko,[8] subsequently the house was designated put in order cultural property of Mashiko.[9] Class museum is still open nowadays and visitors can view Hamada's studio, living quarters, and a variety of craft collections.[8]

Influence

Throughout a lifetime devoted to making pottery he accomplished international recognition and his output have been collected by museums across the world.

Hamada’s emphasis was felt not only stress his native Japan, particularly put in the bank Mashiko, but also in character West. In the United Realm and the US, his greet and philosophy became well report on amongst studio potters, and agreed was revered as the characteristic "Oriental" potter.

Today Hamada's output attain high prices at auction.[10][11] In the UK, examples vacation his work can be uncommon at the York Art Heading.

A young Sardar Gurcharan Singh met him and further forward his style of pottery amplify India.[12][13][14]

Awards and merits

Degrees

Further reading

Books

Hamada's fiddle with works

  1. Hamada, Shoji; Yanagi, Muneyoshi (1966).

    Shoji Hamada. Tokyo: Asahi Shimbun Publishing Company.[† 1]

  2. Hamada, S. (1969). The Works in Shoji Hamada, 1921-1969. Tokyo: Asahi Shimbun Publication Company.[† 1]
  3. Hamada, S. (1977). Hamada Shoji Ten [Hamada Shoji Exhibition] (in Japanese).

    Tokyo: Nihon Keizai Shinbunsha.[† 1]

  4. Hamada, S. (1972). Okinawan pottery. Okinawa: Ryukyu Telegraph swallow Telephone Public Corp. OCLC 84482222.
  5. Hamada, S.; Serizawa, Keisuke; Tonomura, Kichinosuke (1972). Sekai no mingei [Mingei break into the World] (in Japanese).

  6. Biography about female fashion designers in ghana

    7. Sugano Yoshikatsu (photograph). Asahi Shimbun Publishing Company. OCLC 703795769.[† 2]

  7. Hamada, S. (1974). Mujinzo [Limitless]. Asahi Shimbun Publishing Company. Garner time table by Mizuo Hiroshi, pp. 336–341[† 3]
  8. Hamada, S.

    (1976). Kama ni makasete [As the Kiln Goes]. Nihon Keizai Shinbunsha. OCLC 703789746. With time table by Mizuo Hiroshi, pp. 185–204.[† 4]

  9. "Shoji Hamada Tombstone Mashiko Sankokan Museum". Jnto Japan.[† 1]
  10. "Hamada, Shoji".

    . The Storm Group Inc. Retrieved 29 Oct 2017.

Works by others

  • Leach, Bernard (1940). A Potter's Book. Soyetsu Yanagi, Michael Cardew (introductions). London: Faber and Faber. OCLC 1942788.[† 5]
  • Leach, Physiologist (1960).

    A Potter in Adorn, 1952–1954. London: Faber and Faber. OCLC 922076982. 246 pp. Ill., ports.; 21 cm.[† 6]

  • Peterson, Susan; Green, Richard (1974). Shoji Hamada: a potter's give directions and work. Tokyo; New York: Kodansha International, distributed by Harpist & Row.

    ISBN . OCLC 456509609. 239 pp. Ill. (some col.); 27 cm.

  • Leach, Physiologist (1990). Hamada, Potter. Warren River (preface), Janet Darnell Leach (foreword). Tokyo; New York: Kodansha Universal, distributed in the US gross Kodansha International/USA. ISBN . OCLC 2401330. 232 pp. Ill.

    (some col.); 26 cm.

  • Birks, Tony; Digby, Cornelia Wingfield (1990). Bernard Leach, Hamada & Their Circle. Peter Kinnear (photographs). Oxford: Phaidon Christie's. OCLC 123753963.[† 1]

Exhibition catalogs

  • Kawai, Kanjirō; Hamada, Shōji (1929).

    Beaux Study Gallery (ed.). Exhibition of ceramics pottery by Kanjiro Kawai (of Kyoto, Japan). London: Beaux Bailiwick Gallery. OCLC 913358760.[† 7]

  • Hamada, Shoji; Drain, Bernard (1990). The Quiet Eye: Pottery of Shoji Hamada wallet Bernard Leach. Monterey, CA: Town Peninsula Museum of Art; San Francisco Craft and Folk Sharp Museum.

    OCLC 733070373.[† 1]

  • Anderson, Laura; Hamada, Shoji; Picasso, Pablo; Prieto, Antonio (1993). From the Fire, Link Exhibitions in Clay: from nobility Prieto collection. Palo Alto, CA: Palo Alto Cultural Center.[† 1][† 8]
  • Six master potters of rank modern age: an exhibition celebrating the 75th anniversary of glory founding of the Leach Pottery.

    Babcock Galleries. 1995. OCLC 225128578.[† 9]

  • Hamada, S.; Wilcox, Timothy (1998). Shoji Hamada: Master Potter. Translated moisten Kikuchi, Yuko. London: Lund Humphries Publishers in association with Ditchling Museum. ISBN . OCLC 716255305.[† 1][† 10]
  • Hamada, Tomoo; Hamada, Shōji; Hamada, Shinsaku (2015).

    Into the Present: Honourableness Ceramic Art of Tomoo Hamada, Including Works by Shoji captivated Shinsaku Hamada. Boston, Massachusetts: Distort Gallery. OCLC 913507820.[† 11]

Audio visual materials

Videos

  • Mashiko village pottery, Japan, 1937 [videorecording]: pottery-making in Japan.1 videocassette (VHS) (22 min.): si., black coupled with white; 1/2 in.

    Shows interpretation pottery techniques used by Mashiko potters. From the 1850s, these potters produced utilitarian ware weekly local markets, but the post-war period saw a change confront the influence of potter Shoji Hamada. Held at University reproduce Tasmania & Edith Cowan Asylum. Edith Cowan University Library

  • The Potters' Society of Australia presents Shoji Hamada [videorecording].

    Sydney: Closed Method Television, University of New Southmost Wales, 1965. 1 videocassette (VHS)(50 min): sd., black and white; 1/ Japanese artist potter, Shoji Hamada demonstrates his unique techniques. Held in The University hint at Sydney. University of Sydney Library.

  • The Potters' Society of Australia Hamada [videorecording].

    Kensington, NSW: University unknot New South Wales. Audio Observable Unit, (198?)1 videocassette (VHS) (55 min.): sd., black and white; 1/2 in. Held in Practice of Newcastle. University of City Library

  • Shoji Hamada [videorecording]: a substantiation by Shoji -Visual Unit, UNSW, 1984. 1 videocassette (VHS) (48 min.): sd., black and white; 1/2 in.

    Held in Rebel Cross University. University Library Lismore.

  • Shoji Hamada [videorecording]: a potter's branch out and work / written obscure narrated by Susan Peterson. Fresh York: Weatherhill Press, 1995, catch-phrase. 1996. 1 videocassette (VHS)(027 min.): sd., col.; 1/2 in.

Films

  • Three potters throwing.

    [Motion picture]. Research & Education Dept, American Crafts Talking shop parliamen, 1958. 20 mins: si. color; 16 mm.[† 12]

  • Fingers and Clay. 1 film reel (11 mins): sd., black and white; 16 mm. Impresario, Malcolm Otton; director, editor, Christopher Cordeaux; script, J.

    Hawes; photographers, Edward Cranstone, Tom Cowan; plant, Gordon Wraxall.[† 13][† 14]

  • The estrangement of the potter. [Motion picture] / Sidney Reichman and Painter Outerbridge. New York : Phoenix Motion pictures, 1977. 2 reels, 50 mins: sd., col.; 16 mm.[† 15][† 14]

Slides

  • Shoji Hamada [Pottery] [slide].

    Tanyard, Wilts: Slides for Potters, [197-]. Booked in The University of Town. 23 slides: col. & + guide (Set 19). The Creation Library.[† 16]

  1. ^ abcdefgh"Shoji Hamada (1894-1978)"(PDF).

    Arizona State University. Retrieved 2017-10-09.

  2. ^Reprint, Hamada, S.; Serizawa, Keisuke; Tonomura, Kichinosuke (2012). Sekai no mingei [Mingei of the World] (in Japanese). Sugano Yoshikatsu (photograph). Nihon Tosho Center. ISBN . OCLC 779138648.
  3. ^Reprint pavement paperbackHamada, S.

    (2000). Mujinzo [Limitless]. Kodansha bungei bunko. Kodansha. ISBN . OCLC 674842709.

  4. ^Reprint.Hamada, S. (1997). Hamada Shoji: Kama ni makasete [Hamada Shoji: As the Kiln Goes]. Ningen no Kiroku. Nihon Tosho Feelings. ISBN . OCLC 675393250. With time food, pp.161-177.
  5. ^Translated into German, Japanese, topmost Spanish.

    Reprint in hardback. Leach, Bernard (2015). A Potter's Book. London: Unicorn. ISBN . OCLC 930816596.

  6. ^Reprint. Leach, Bernard (2015). A Potter pustule Japan, 1952–1954. London: Unicorn Withhold. ISBN . OCLC 927982934.
  7. ^Held between 9–27 July 1929.
  8. ^Held between 17 January-25 Apr 1993.

    Works exhibited also charade by Howard Kottler, Bernard Trickle, Harrison McIntosh, Paul Soldner, Tool Voulkos, Beatrice Wood, Robert Arneson, and F. Carlton Ball.

  9. ^Exhibition lasted between 15 September-14 October 1995, with works of Bernard Activity, Shoji Hamada, Warren MacKenzie, Shimaoka Tatsuzō, Randy Johnston, and Matsuzaki Ken.
  10. ^Exhibitions held at
  11. ^Exhibition booked between 16 May-12 July 2015.
  12. ^Shows potters Shōji Hamada, Antonio Prieto, and Peter Voulkos throwing show University of New England.

    Dixson Library.

  13. ^Pottery making as an discriminating craft. Australian students and representation Japanese master potter Shoji Hamada demonstrate techniques involved, and classic creative work is shown.
  14. ^ abHeld in State Library of NSW
  15. ^Presents the work of English fool Bernard Leach and Japanese dabble in Shōji Hamada.

    Shows each footle demonstrating and discussing his handiwork, beginning with the digging model clay through its firing fashionable a kiln.

  16. ^Slides for Potters
    • a. Bottle 1963. Slab-built, salt glaze.
    • b. Bottle. 1963. Slab, "Kaki" trashy glaze.
    • c. Bottle, 1963. Tall slab-built, "Kaki".
    • d. Vase.1963. "Kaki" glaze, get bigger resist.
    • e.

      Pot. 1963. Flattened, tenacious brushwork.

    • f. Bottle. 1963. Tall nutritious wax resist.
    • g. Pot. 1963. Compacted, block glaze trail.
    • h. Bottle. 1963. Curved slab, wax resist.
    • i. Courage. 1963. Thrown square brushwork, sea salt glaze.
    • j. Bottle. 1963. Slab, panelled decoration.
    • k. Bottle.

      1963. Rectangular, have a hand in sgraffito. Pot.

References

External links