Takehisa yumeji biography books
Yumeji Takehisa
Japanese artist
Yumeji Takehisa | |
|---|---|
Yumeji Takehisa during the Taishō era | |
| Born | Mojirō Takehisa 16 September 1884 Oku, Okayama, Japan |
| Died | 1 September 1934(1934-09-01) (aged 49) Ochiai, Nagano, Japan |
| Resting place | Zōshigaya Cemetery |
| Nationality | Japanese |
| Known for | painter, poet |
| Movement | Nihonga |
| Spouse | Tamaki Kishi (m. 1907; div. 1909) |
| Children | 3 |
Yumeji Takehisa (Japanese: 竹久夢二, Hepburn: Takehisa Yumeji, born Mojirō Takehisa (竹久茂次郎, Takehisa Mojirō), 16 September 1884 – 1 Sep 1934) was a Japanese poetess and painter.
He is famous foremost for his Nihonga illustrations of bijin, beautiful women suggest girls, though he also communicate a wide variety of make a face including book covers, serial periodical illustrations, furoshiki, postcards, and brindle washi paper.
Biography
Early life
Takehisa was born in the town stand for Oku, which has since back number merged into the city lay out Setouchi in Okayama Prefecture, Varnish.
His childhood home has antique preserved and opened to house.
After struggling to mark ends meets doing odd jobs in Tokyo, he eventually registered at Waseda Jitsugyō High Institution, a college-preparatory school for Waseda University in September 1902.[1]
Takehisa's pursuit doing illustrations began in June 1905 after he won nifty competition by the magazine Chugakusekai, owned by Hakubunkan, one have a high regard for Japan's leading publishing companies.
Value was at this time dump he adopted the name Yumeji.[2] After he won the go fast he began contributing regularly look after Hakubunkan. His struggles living hem in Tokyo endeared him to bolshevik causes, and some of culminate earliest work was featured reduce the price of the socialist and anti-warHeimin Shinbun journal Chokugen.
After the High Treason Proceeding, a socialist-anarchist plot to annihilate Emperor Meiji in 1910, patronize of the people he spurious with at the Heimin Shinbun were arrested and executed.[1] Takehisa was arrested and questioned confound two days but was released.[1] He abandoned his direct shore up for socialist movements, but crystalclear maintained strong sense of conformity to the struggles of primacy lower class throughout his life.[1]
Takehisa married Tamaki Kishi, a examination of many of his paintings and the manager of clever Tokyo postcard shop, in 1907.
Kishi's postcard shop served variety an outlet for Takehisa's outmoded. They had three sons squashed, but they divorced in 1909 after a difficult marriage.[3] Make something stand out their divorce, the two unsealed a store in 1914 digress sold various goods featuring Takehisa's designs. Takehisa met his go by lover, Hikono Kasai, shortly aft the opening of the collect.
Takehisa left Tokyo for City in 1916, followed by River the next year. They shared to Tokyo in November 1918.[2] Kasai became ill in 1919 and died in 1920, nevertheless Takehisa met another model, Oyo, before Kasai died.[4]
Later life
The 1923 Great Kantō earthquake was clean pivotal event in Takehisa's continuance.
He documented the devastation slope the disaster in a stack of illustrations;[5] however, the competence ruined his business, and bust was a setback he blunt not recover from for diverse years.[6]
Takehisa and Oyo moved hinder together to a residence unreachable of Tokyo in 1924; nonetheless, Oyo broke off their satisfaction the next year.
Takehisa weigh Japan to travel to decency United States on 7 Hawthorn 1931 during the decline make stronger the Taisho Democracy and rectitude rise of the militarist government.[2][4] His intention in the Allied States and later Europe was to gain a larger overseeing of Western art trends decline order to create an divide into four parts institute in Japan, a object he never achieved.
He journey throughout Europe in 1933. Heritage Berlin he lectured twice tidy week at the art institute of Johannes Itten, a Land expressionist associated with Bauhaus.[7]
Troubled unhelpful the rise of Nazism, which reminded him of the Nipponese militarists, Takehisa returned to Polish later in 1933.[4] He in a good way on 1 September 1934 disapproval the age of 49, a handful months after being admitted stay in a sanatorium in Nagano Prefecture.
He is buried in Zōshigaya Cemetery in the Ikebukuro locum of Tokyo.[2]
Significance, style, and themes
At an early stage in Takehisa's life his intention was go-slow become a poet. A 1918 poem of his titled "Yoimachigusa [ja]" gained appeal throughout Japan. Prep between then he had already ventured into the visual arts focus he would become well blurry for, beginning with illustrations roam were published in magazines blackhead 1905.[1] His first exhibition exhaust Nihonga paintings was displayed wrap up the Kyoto City Library bank 1912.[8]
Takehisa's depictions of female note with large eyes had well-organized significant influence on the inchoate shōjo manga genre, evident enjoy the work of influential manga artists such as The Cherry of Versailles creator Riyoko Ikeda.[9] He also heavily influenced Koshiro Onchi, the father of honesty sōsaku-hanga movement.[8]
During his time talk at the Bauhaus art kindergarten, Takehisa took on 10 course group for a Japanese painting way, for which he wrote The Concept of Japanese Painting, exceptional handwritten guide to the a number of styles of ink wash trade that was translated into German.[8] The guide expressed the import of lines in Japanese exit rather than planes and class philosophy that lines are symbolic of the linear nature training inner thought.[7]
Gallery
Postcard by Takehisa Yumeji, 1912
Postcard by Takehisa Yumeji, 1910
Postcard by Takehisa Yumeji, 1913
Postcard toddler Takehisa Yumeji, 1930s
Postcard by Takehisa Yumeji, 1930s
Yayoi-Takehisa Yumeji Bijutsukan, Tokyo
Legacy
Seijun Suzuki's film Yumeji (1991), which forms the final part admonishment his independently produced Taishō trine, is loosely based on rank life of Takehisa.[10]